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Dating by porcelain marks

Quite a number of urns, vases and especially plates are signed “Angelica Kauffmann”. If part of the base is covered with a golden shape, this shape usually hides the original manufacturers mark. Any number over 155 painted in color overglaze, is not a decorators identification number for the Vienna manufactory. Any number over 27 in blue underglaze is not a decorators number for the Vienna manufactory. Any bottom description of a decoration or scene indicates that the piece was not decorated in the Vienna manufactory.Just because the mark is a blue underglaze shield or beehive or it’s an impressed mark doesn’t make it an authentic Vienna Porcelain mark.In the Sorgenthal period (1784-1805) an additional year mark was introduced.From 1783 onwards the year mark was impressed alongside the factory mark.Mark used since 1911, found in green, blue, magenta & gold colors. " data-medium-file="https://myriadtradingco.files.wordpress.com/2010/05/minwreath47.jpg? w=300" data-large-file="https://myriadtradingco.files.wordpress.com/2010/05/minwreath47.jpg? w=474" class="aligncenter size-medium wp-image-124" title="Min Wreath47" src="https://myriadtradingco.files.wordpress.com/2010/05/minwreath47.jpg? Note that this mark has the artist’s signature underneath. “RC Hand Painted Nippon”, combination of both red & green colors (as shown). This tends to protect the use of these marks, and in general restricts them to use on pieces made in the UK.This protects both collectors and the companies who registered the marks.

1744 to 1749 — the Vienna Porcelain mark (Bindenschild) was applied in red or in blue underglaze or incised.

From 1783 to 1800 the last two figures of the year were impressed and from 1800 the last three figures. If base marks include, ‘Vienna’ or ‘Wein’ it is not from the Vienna Imperial and Royal Porcelain Manufactory. If there is any importer’s mark or other company mark, it is not authentic Royal Vienna.

Dating Vienna Porcelain Marks How to Spot Imitation Vienna Porcelain Marks : Most imitations of the Vienna Porcelain Mark display the shield upside down making it appear like a beehive Even though many of the genuine Vienna porcelain marks will resemble a beehive, if turned upside down, there should be nothing else that indicates this is the correct way the shield mark is being presented. If the base marks include, ‘Royal Vienna’ it is not from the Vienna Imperial and Royal Porcelain Manufactory, it is a fake. If the base marks include, ‘Austria’ it is not from the Vienna Imperial and Royal Porcelain Manufactory. If the base marks include, Germany or Czechoslovakia, it is not authentic. ,” pages 575 and 576; Rontgen discusses Vienna Porcelain Marks and how to detect imitations of the true Vienna Porcelain mark. Pieces with forged Vienna marks are usually heavily decorated with mythological or historical scenes, often with a description of the scene on the bottom. In the early years of the manufactory, circa 1744-1749, the shield was occasionally painted red, purple, black or gold overglaze, but never blue. Any Bindenschild that is stamped in blue underglaze or overglaze and has perfect symmetry and shape is not a Vienna Porcelain mark. If inscriptions, signatures or letters are arranged in such a way that the mark appears as a beehive, then it is not a Vienna Porcelain mark of the Vienna manufactory. Letters, words or shapes in gold overglaze are indications of forgeries.

Unfortunately, we are not experts, but we always turn to a wonderful book by someone who is for our information. “Torri Hand Painted Nippon” Found in green, blue & burgundy (shown).

Joan Van Patten has written many books on collecting antique Nippon porcelain, and she has compiled known dates for certain backstamps. ) “Noritake M (Morimura) in Wreath Nippon” Found in green (shown), blue & magenta.

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Between 17, the Vienna Porcelain pieces destined for the Austrian court were distinguised by a special (Bindenschild) shield mark in underglaze blue.